When the comrades take over, this will
likely become mandatory;
ON A balmy evening in a canal-side pub garden, an audience of a hundred or so are singing William Blake’s Jerusalem.
They’ve been encouraged to do so by four women — two of them played
by men — who are telling the somewhat surprising story of the Women’s
Institute and its contribution to feminism, women’s liberation and pie
making. This is political theatre, Jim, but definitely not as we know
it.
That's not funny!
Since 1972 The Mikron theatre have been taking such self-made musical
shows by narrow boat and the occasional van to unlikely locations like
canal-side pubs, allotments, village halls and even hospices all over
the country. Recently another Morning Star reviewer caught One of Each,
their play set in a fish and chip shop, and hugely enjoyed it.
Wonder if all those patrons they snuck up on did.
Any play charting the 100-year history of the WI must include jam,
Jerusalem, nude calendars and a recipe for rabbit pie and Raising Agents
doesn’t disappoint in this respect. But it also includes the WI’s
active campaigning on the Bastardy Bill, women’s health education and
VD, unemployment and equal pay, Aids, Thatcher the milk-snatcher,
banning the bomb, recycling, Greenham Common and a whole lot more.
Written by Maeve Larkin and directed by Marianne McNamara, it’s got
some right-on politics and music hall-style bawdy humour, summed up by
the best line in the show: “We are the women who gave Tony Blair the
clap!”
And that's the best line.
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